In this exclusive online session, Mike Burgess will be joining us to discuss all things surrounding music rights. For those of you that don’t know Mike, Mike has worked in the music industry for over 15 years. His career has been far-reaching, from him originally being a successful DJ himself, to then managing signed and upcoming artists. He also worked as an assistant producer with 6 Music, and led BIMM Manchester’s BA (Hons) Music Business course. Now, he is an independent music rights advisor.
From copyrighting to royalties, this session is the perfect introduction to understanding how you can protect your music and learn about profit splits. It is for anyone aged 18+ who is ideally already releasing their own music.
Join us on the 26th of June, from 7PM until 8.30PM.
This workshop is limited to 25 spaces so act fast to reserve your spot here.
Deadline to apply – Every last Wednesday of the month, link here
Raise The Bar MCR is the number one open mic event in Manchester, exclusively for rappers. They want to take rap back to its roots by building up the community and showcasing Manchester’s rap talent at all stages of their journey.
On the last Wednesday of every month at the Old Abbey Taphouse, 8 upcoming artists have 9 minutes to show Manny what they’ve got and have the chance to win a paid champion set at the next event. The champion set is voted for by 10 audience judges who want to see you come back and perform a 20-minute set.
Raise The Bar also host a Mancunian headliner who is making a name for themselves in the scene for 30 minutes after all the acts.
But the night doesn’t end there! At 10pm Manchester’s best cypher. Whether you have never performed in front of a crowd before or you just want to come down to pick up the mic and spray, you are welcome. Beats for the cypher are sent in by some of the coldest producers in Manchester and a Mancunian DJ will keep the vibes.
If you’re a rapper, producer or DJ and interested in getting involved don’t be shy… Send a DM or come through to our next event to meet the team.
Back in February, we kickstarted Soundcamp 2024, funded by Youth Music and in partnership with Thirty Pound Gentleman. Soundcamp is our in-house artist development programme. To start this year’s project, we welcomed over thirty young people aspiring careers in music to create and collaborate on their own musical projects for our Soundcamp Bootcamp. Through the process, they received 1-2-1 support from industry professionals Layfullstop, Jack Kong, and Werkha. Meanwhile, they got led through sessions on production, music business, and more.
Eight of our attendees were selected to join the full Soundcamp programme at Reform. The finalists are receiving 6 months of music mentorship from industry pros, performance opportunities, and direct support with their unique crafts. Now, they are taking to the stage on the 15th of May at the Blues Kitchen to share all they’ve been working on at our exclusive Soundcamp Showcase, and YOU can join us.
Get a taste of what you can expect from the lineup below, as we introduce you to our first finalists of this year’s Soundcamp.
Jennifer Dala
My name is Jennifer Dala, my pronouns are she/her and I am a singer and songwriter. I’m planning to release some music later this year so you’ll finally be able to hear what I’ve got in the works.
How would you describe your music to someone who’s never heard it before?
My music is a mixture of Joni Mitchell and Tracey Chapman with its combination of acoustic and synth. My sound has been shaped by soul, indie, alternative and jazz music.
What prompted you to get involved in Soundcamp and what are you hoping to achieve from it?
I was taking part in any music courses I could to challenge myself and meet other like-minded creatives. What I’m hoping to achieve from the programme is to collaborate with other musicians to push my craft further. Soundcamp looked like a welcoming and supportive space to explore my musicality thoroughly. It’s been really useful to me so far and I’ve already learnt so much more than I expected to.
Where did your journey with music begin?
I’ve always loved music and, as a child, I had piano and guitar lessons. I knew for a long time that I really wanted to be an artist, but it was only in my 20s that I properly started exploring this. Since lockdown, I’ve been playing the guitar a lot more and really shaping my sound to get to where I am today.
Describe your creative process from starting to finishing a track.
It’s mainly improvisation to me. When I first listen to an instrumental, I will improvise over this by humming and creating melodies. From there, I can write my lyrics. I don’t really write with intent; I like to just see what comes up for me. When I first started writing music, I would write a lot about heartbreak, but now I write about existentialism and my shadow self. I think this development is only possible when you truly allow yourself to be open with your songwriting.
Who are your main inspiration/influences for your sound and aesthetic?
Amy Winehouse and Joni Mitchell are two of my main influences. I love Joni Mitchell’s vocal melodies and her incredible songwriting capabilities. Amy Winehouse was definitely one of my earlier influences. I loved her voice and dug so much into her lyricism. In terms of my aesthetic, I just like being comfortable and expressing myself authentically. I would say Lauryn Hill is my main inspiration for this.
If you could collaborate with anyone on a track, who would it be and why?
I think it would have to be Sampha. I would love to write songs for artists and I think Sampha has the perfect distinct sound I’d want to create for.
What are your biggest goals/plans for your music in the future?
My biggest goal is to release my own EP, but also to write songs for bigger names.
FREEQUENCY3
Hey, my name is FREEQUENCY3 and my pronouns are she/her. People can find my music everywhere, on all streaming sites, in places I probably don’t even know about.
How would you describe your music to someone who’s never heard it before?
My music takes listeners on a journey through the ripples of life and all of its nuances. From experiences of relationships with others and yourself, to helping people deal with the shifts in life, my music encourages people to tap into feelings they have been avoiding. However, at the same time, you can bust a little two-step and get on a vibe to my tunes too. I’ve got a nice eclectic range of sounds, songs, hooks and melodies and lyrics to enjoy. You can make new meanings of these tracks each time.
What prompted you to get involved in Soundcamp and what are you hoping to achieve from it?
I first joined Soundcamp in 2021 when a lot of changes were happening in my life. Much of the time, I was in pain and I had no idea why. I joined the project initially to challenge myself and be in a room with different people to create and collaborate with them. I found it quite overwhelming and I didn’t get through to the final eight artists. So I decided to come back and try it again now I have a full diagnosis regarding my health and can manage my body better. This time, I have been selected as a finalist. The biggest blessing so far has been being able to work with Layfullstop, Jack Kong, Werkha, and other mentors. They are all people I have looked up to for many years. So, for me, it feels like a real honour to even be able to share the room with these people and have conversations about my art with them. I am learning from their experiences every week. I hope to achieve more dynamics in my art from these new perspectives.
Where did your journey with music begin?
My journey began when I was very young; I’ve always loved music. My mum would always be playing music in the house and my uncle was in a band so I used to do raps with him. It all stemmed from there. My journey to being an artist began in 2021 after I DJed at Parklife Festival. The morning after playing, I woke up with severe nerve pain and it took me two years to get a diagnosis. During that time, my whole life changed and I was in severe pain every single day. I lost all the things I was making a name for myself doing. I realised the one thing that ran through all the things I had been doing was music, so I decided to tap back into my inner child and start making beats and raps again. People responded to it well so I thought I’d keep writing and explore these difficult feelings through music.
Describe your creative process from starting to finishing a track.
If I’ve got a beat that’s already there then I will freestyle over it continuously and find a flow I like. Then I will either write the lyrics over the freestyle, or if I am struggling with finding lyrics, I will choose five random words and write around these. There’s a lot of back and forth in my process, correcting and perfecting things. Since starting Soundcamp, I have been more open to approaching tracks in different ways. I feel like I now consider the structure of songs more thoroughly and specifically.
Who are your main inspiration/influences for your sound and aesthetic?
For my sound I’d say J. Cole, Noname, WESTSIDE BOOGIE, Mick Jenkins, Big Sean, but also many of my friends are so talented musically and inspire me. I love artists that can really paint a picture.
If you could collaborate with anyone on a track, who would it be and why?
Right now, I’d love to make a song with Layfullstop. Internationally, I think Smino, Chance the Rapper or Noname.
What are your biggest goals/plans for your music in the future?
One of my biggest goals is to be consistent. It’s really hard to do this when you have a health condition that varies. I’d also love to perform more and do another headline show. I want to show people I am more than just a one-dimensional rapper. I want to show I can make hooks, I can make songs that are going to stick in my head, I can put on a beat, and I can say things that are important. Also, I want to make sure I connect with those that support me a create a solid community.
Grab your free ticket to our Soundcamp Showcase here to witness the pair above live, alongside the rest of the programmes cohort.
BBC Maestro is a subscription-based streaming platform, created to educate and inspire people to explore their creativity. Through pre-recorded lessons and detailed course notes, anyone can learn a wide range of disciplines and follow in the footsteps of experts respected all over the world.
BBC Maestro offers single course purchases or an annual subscription. Click the link above to browse courses and start a free trial.
Back for another banging Bank Holiday weekend, Sounds From The Other City have announced this year’s line-up for their annual celebration. Taking place on the 5th of May, SFTOC is a firm underground favourite, delivering a unique yearly event that champions local promoters and celebrates the off-kilter beauty of Salford – the ‘other city’ to Manchester.
We are delighted to announce we will be taking over Salford’s Peel Hall with Manchester arts organisation Band on the Wall to curate an exclusive stage for this year’s festival. Let us introduce you to the artists we have joining us. You can grab your tickets to the multi-venue event here and get a taste of some of the UK’s best upcoming talent.
Manchester-based, Hampshire-grown Lavender Rodriguez explores the sounds between alternative soul and Afro-beat by night, whilst working as a classical composer by day. Their music celebrates the intersectionality of queerness, being mixed race, and the universal life experience.
Lavender previously joined us for a live session on The Takeover w/ Kaoti. Check out the full session below.
Urbi is one of many hobbyists who perfected their craft in lockdown. However, unlike the rest, her seamless blending of different house genres has earned an impressive following and some heavy support from the underground realms in the short space of a year. She’ll be showcasing her infectious style and creativity alongside fellow Reform Radio resident, Juno. Juno works the crowd with an upbeat selection of percussive, afro, deep, soulful house, broken beat and jazz. Come along to watch the duo delve into inspiring sounds from across the globe.
Listen to the most recent Urbi show on Reform below.
You can also check out Juno’s most recent show below.
0161 resident KinKai’s ear was attuned to a wide range of West African music, reggae, jazz, and hip-hop at an early age. Inspired by his mother’s vinyl collection and influenced by his Jamaican and Sierra Leonean roots, his heartfelt discography is a bonafide gem of UK underground hip-hop. We are proud to host KinKai as our Reform Radio artist in residence and offer him the stage to share the vast array of sounds and craft he has explored within his residency. Listen to KinKai’s most recent show on Reform below.
Davina Earth Adeosun-Bright, more popularly known as muva of Earth, is inspired by the act of evolution. Taking cues from innovative sound travellers like Bjork and FKA Twigs, her path has been one of expansion and self-reflection. As a solo act and one-half of DIVINEANGEL, muva of Earth blesses audiences across the UK and Europe with celestial sounds and meditative experiences.
Lashimba isn’t just the host of our breakfast show, she is also an acclaimed artist and producer. Combining a multitude of genres to create an indie R&B sound, we experience infused smooth vocals with rap/spoken word verses. Lashimba as part of a new generation using their art to champion feminism. Check out her morning residency at Reform here.
Stoic and wise, current and fierce. Renee Stormz unapologetically flows innovative lyricism over soulful hip-hop beats, evoking power, nostalgia, and grace. We’ve been lucky to have Renee with us in the Reform space for a while now. She was part of our Soundcamp bootcamp in 2020, she now joins us on the airwaves for some incredible shows. Check out her January mix below.
A vital contributor to the London scene, Ife is one fifth of the band Ezra Collective. He is a purveyour of an authentic sound versatile enough to transition from spiritual jazz to dance fuelled Afrobeat in a heartbeat.
Multi-instrumentalistISHA’s fresh funk beats are characterised by rare groove appeal and strong bass lines. Her influences go back to the funk, hip-hop, and jazz scene of the 70’s and 80’s, as well as modern-day acts like SG Lewis, Jungle and FKJ.
SHEwillprovide ft. Mix-Stress, Shimrise and Andrea Trout (panel discussion presented by Adele Tondu)
Formidable collective SHEwillprovide are hosting a panel of DJs to discuss their individual journeys and the current DJ landscape. Featuring on the panel are some of the best in the business – Mix-Stress, Shimrise and Andrea Trout. The discussion will be hosted by Adele Tondu. Listen to SHEwillprovide’s takeover show on Reform Radio below.
We cannot wait to chat, boogie, and celebrate at this year’s festival. Don’t forget to grab your tickets here now to join in on the antics.
It has been a busy fortnight at Reform, with us having a full house of participants for our Podcasting Course. Funded by MAES, our attendees have been led through the likes of production, scripting and editing. To complete the project, they have each designed, recorded and produced their own podcast to be played on the Reform Radio airwaves.
Listen to the show they created below.
We chatted to two of our participants, Ruby and Dove, to hear about what they got up to on the programme. They also chatted about what they’ve learnt and developed from joining us on the course.
Introduce your name, pronouns and what you get up to in your free time
R: Hi, I’m Ruby. My pronouns are she/her. In my free time I do a lot of media and art. I love spending time with my friends and I also do gig photography.
D: My name is Dove and my pronouns are she/her. My hobbies include gardening, foraging, meditating, yoga and reading.
Describe yourself in 3 words
R: I would say caring, funny and weird.
D: Neurodivergent, intuitive and humanitarian.
If you had to recommend a podcast to someone who’s never listened to a podcast before, what would it be and why?
R: I’ve got to say the ‘My Dad Wrote a Porno’ podcast because it’s hilarious and flows really well. I often find myself listening to it on public transport, laughing to myself and getting some stares.
D: The ‘Living Myth’ podcast with Michael Meade. He is a mythologist and philosopher. He takes ancient myths, tells their stories, and then connects it with our society today.
If you had to produce a podcast on any topic, what would it be about and why?
R: The podcast I’ve been working on on the course is called ‘Wired Differently’. It is all about neurodivergence and my personal experiences of being autistic and having ADHD. I hope to help other people learn about these subjects, but also use this topic to explore myself.
D: Mental health and the ways we can become better people to improve society. I would do this through sharing my own experiences, how my past self contributed to society and the environment and how I changed myself to help create a better world.
What prompted you to get involved with the Podcasting Course?
R: I’m currently on a gap year right now from my media degree. I wanted to broaden my horizons in this realm.
D: My own desire to create my own podcast. I was really passionate about it but I didn’t know what it actually took to do it. When I saw the course, I was ready to learn.
Did you have much experience in audio/podcasting before? If so, what’s your favourite thing about it?
R: I have some knowledge in radio and editing. However, I didn’t have direct experience in podcasting. It has been a really fun opportunity to delve into this more. My favourite thing about it has been getting into the routine of recording, producing and editing. I love the journey of creating a piece of audio work and exploring each stage of the process.
D: It was quite new; I am more into blogging via YouTube. I listen to some podcasts and some of my friends also do podcasting but I had never done it myself. My favourite thing about trying it for the first time has been the freedom it has given me to speak my truth. It’s really nice to speak freely in this form.
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
R: I definitely feel a lot more confident in the area of podcasting. To begin with, I was shaking in my boots at working with a new group of people and trying something new. Fast forward to now and I will be sad to finish the course. I have loved meeting such a range of people and collaborating with them.
D: I have definitely become more authentic and genuine over the course of the project and learnt a lot about compromising and working in a team.
What will you take from the podcasting course moving forward & what are your plans from here onwards?
R: To begin with, I was quite apprehensive to do the course, but I am so glad I did it. So I plan to take this attitude with me and be confident in my creative choices, even when I think I am lacking expertise in certain areas. From here, I hope to continue with my podcast series and take part in more creative projects like this one.
D: I will take all the skills and knowledge I have learnt about editing, scripting, ethical consent and the requirements of different platforms.
To find out about our future projects, please reach out to our Engagement team at projects@reformradio.co.uk.
They are looking for 12 curious and creative people who want to explore the joy of diverse minds.
Working with leading neurodivergent artists, you will create work that will live forever as part of the very first creative collection of neurodivergent art and stories: The Neuro-Collection.
To take part you need to: 🌟 Identify as neurodivergent 🌟 Be between 18 and 30 🌟 Have something to say about neurodiversity 🌟 Be creative e.g. you like to make, write or perform 🌟 Be able to take part in at least 6 sessions per year
No previous experience needed.
To receive more info on NeuroJoy or to register your interest, click the link above.
In partnership with size?Radio, powered by Nike Sportswear, we have been hosting a super exciting project in the Reform Radio space. ‘Run The Track‘ is a new exclusive radio series which places female music artists from the North West at the centre of the conversation. From discussing the likes of the representation of female queer identities to the experiences of Black artists in music, and the reality of functioning as a female artist, this series catalyses vital conversations to triggering change in the industry.
In 2023, the UK Parliamentfound that just 1 in 10 major UK festival headliners, less than a third of top-selling artists, and 14% of songwriterswere female. These numbers also lessen in relation to marginalised racial identities. There has been an overall decrease to21% of individuals working in music identifying as Black, Asian or from an ethnically diverse background. As a means of support to underrepresented genders in music, we were proud to take part in the production of ‘Run The Track‘ and hold space for said artists to share their reflections and experiences to alter the narrative of inequality.
Released on the 15th of February, the series kickstarted with its debut episode led by Manchester’s Mix-Stress, also known as Rebecca Swarray. The DJ, producer and curator invited Homobloc resident Gina Breeze, and Liverpool’s Fliss Mayo to the conversation regarding LGBTQIA+ representation in the realm of dance music. From the birth of disco and electronic dance music lying in 70s underground queer clubs, the genre has a lot to thank the queer community for.
“Dance music is queer, and that fact has been erased over time… Most stems of electronic music have come from queer house and techno, which has always pushed the boundaries of music creation.”
Fliss Mayo, ‘Run The Track’, Episode One
The trio discussed the vitality of music communities in providing safety for LGBTQIA+ individuals. Mix-Stressand Gina Breeze made a point to acknowledge Manchester’s grassroots venues, including the Derby Brewery Arms and Partisan Collective, which are consistently creating new queer events to ensure the subculture stays true to its roots. Similarly, larger promoters, such as Warehouse Project, were celebrated for curating exciting lineups of local LGBTQIA+ artists alongside bigger industry names. However, there is still a long way to go. Other North West cities are struggling with diversity within audience demographics. Manchester acts as an example to others in showcasing the vitality of DIY events for the queer community, but funding and supportis needed to ensure this in less established locations.
Amongst discussion, we were also treated to some delicious mixes from the guests throughout the episode to get us moving and to showcase some talent we are lucky enough to have right on our doorstep. Listen to the first episode below.
The second episode welcomed Manchester based artist and founder of six piece group Lovescene, Pops Roberts, to host the conversation. Joining her to explore the contributions of females in the music industry were critically acclaimed singer, songwriter and producer Låpsleyand DJ of the Girls Can’t Sync collectiveHannah Lynch. The trio noted the struggles of gender minorities in the industry and also took time to celebrate the moves said communities are making resiliently.
Watch the full episode below.
Following International Women’s Day, there is no better time than now to tune into ‘Run The Track‘. Check out the vast array of female talent and chat it has to offer. From listening in to some top mixes, to hearing unheard lived experiences, the series is sure to bring something fresh to your ears and leave you more informed on the realities of being a female in the industry.
Listen to the second episode below.
Stay tuned for the full three-part series to be available via Reform Radio or the size?launches app over the coming weeks.
Our most recent Positive Frequencies course, funded by MAES, drew to a close with an inspiring radio show, Hotel Changing Frequencies. Within this, our participants shared stories of human experience, personal reflections and creative writing they worked on over the duration of the workshops.
Listen to the full show below.
Positive Frequencies is our well-being project, centred around self-expression and using creative outlets as a form of self-care. We chatted to one of our participants, Uyama, about her time on the programme and what they’ll be taking from it moving forward.
Introduce your name, pronouns and hobbies.
My name is Uyama and my pronouns are she/her. Currently, I’m studying English and Maths. Outside the course, I like playing netball for fun, and to help me relax and clear my mind.
How would you describe yourself in three words?
Patient, caring and supportive.
What’s your favourite thing to do to make you feel good or as a form of self-care?
Playing netball!
Left: Creative Practitioner, Tito, leading one of our sessions. Right: Our Well-being Manager and in-house trained psychotherapist, Dan, leading a group discussion.
Did you have much experience of using writing in your well-being practice already? If so, what’s your favourite element of this or what have you enjoyed about trying it for the first time?
I didn’t have much experience, but I really appreciate that I got the opportunity to write something kind about myself at Positive Frequencies. I learnt that you don’t just have to say nice things to other people, but that you can also say these things to yourself.
What prompted you to get involved in our Positive Frequencies course?
I saw a poster and thought I should sign up. I didn’t want to miss it.
Let’s throw it back to your first day on the course versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
Again, I genuinely had never thought about saying kind things to myself. This was totally out of my mind and something I had never considered. It showed me you can value, respect and love yourself, and not just other people. This has helped me a lot already and it’s something I will take away with me.
If you had to give a sentence of advice to your younger self, what would it say?
You’re not too late to start anything. You can always restart at any age.
What will you take from Positive Frequencies moving forward & what are your plans from here onwards?
Aside from a kinder attitude towards myself, I am also looking forward to studying nursing and midwifing in the future. Hopefully, I will be a qualified nurse in two or three years time.
How would you describe the Positive Frequencies course to someone who was thinking of joining us as a participant?
It’s a great course – everybody is patient; there is no pressure and no judgement. I’m not an outspoken person and prefer to listen usually, but Positive Frequencies made me feel welcome and comfortable to share and speak. I would encourage others to take the step to join the course, because it’s a great space where everyone supports each other.
Following our recent open forum, funded by the BBC’s Indie Development Fund in partnership with BBC Radio 3, we are delighted to bring you a follow-up workshop surrounding classical music radio production.
On the 12th and 13th of March, you can join our Podcasting and Production team to learn the ropes of radio production, with a specific focus on classical music. Those that come along will have the chance to be selected for a Summer part-time paid position in the team to increase their skillsets and work in our industry-standard studios. The workshops will take place from 10am til 4pm and are open to anybody interested in the genre and radio.
Check the flyer below for the full details of how you can get involved.
We were buzzing to welcome the formidable force that is BatFunk to last week’sJorgy and Cheech’s Show. The artist is making waves in the UK hip-hop scene with his unmatched bars and rapping abilities. Jorgy and Cheech invited BatFunk onto the airwaves for a chat about the likes of his recent gig at Manchester’s O2 Apollo and his musical journey. Then, we were treated to an exclusive live session from the rapper come producer; you don’t want to miss this one.
Watch the full session and listen back to the show below.
Our HYPE THEM hosting duo, kaoti and sher, welcomed upcoming Yorkshire singer and songwriter Tyron Webster to their recent show. The trio discussed topics including LGBTQ+ news and Tyron’s musical influences and journey. Alongside this, we were treated to a beautiful live session from Tyron on the Reform Radio airwaves.
Watch the full session and listen to the show episode below.
As well as mastering the craft of soulful lyricism and soothing melodies, Tyron has also been jumping into other creative ventures on the Manchester scene. We chatted to him to find out more about what he’s getting up to; get to know him below…
Introduce your name, pronouns and star sign.
Hey, I’m Tyron Webster, my pronouns are he/him and I am a Virgo.
If you had to describe your music in three words to someone who had never heard it before, how would you describe it?
R&B, pop, and sweet vocals.
Where did your journey with music begin?
It all started when I heard the likes of Prince and Mariah Carey’s 1995 Live at Madison Square Garden video on VHS. I would sing to them both on repeat as a way to escape. I went on to study music at college and Leeds Conservatoire; the rest is history.
Have there been any important role models in your musical journey that have inspired your sound or aesthetic?
Prince, Mariah Carey, and Luther Vandross were my main inspirations growing up. I grew up in a multicultural house so I was also around a lot of reggae music and Bollywood movies which I just fell in love with. These definitely impacted me and my journey.
Where do you find inspiration for your creativity?
I mainly find inspiration in real life situations whether that be love, the idea of love or happy memories. I take a lot of inspiration from friends as well. Sometimes I’ll even just wake up from a dream and record a melody or idea that I’ve had.
Who is your queer icon?
My everyday queer icon is Lady Phyll who is a trailblazer in the queer community. Everything she has done and is doing knows no bounds. Musically, I’d have to say Luther Vandross.
How does your music writing process look?
Chaotic. I will often sing the different musical parts that I want to form the track or poorly explain them! This is how Mariah Carey makes music. Sometimes, I will go into a session with references of what I’m liking the sound of. Then, I’ll either write the top-line there and then, or I’ll take the beat away and sit with it to write to it.
What does being queer mean to you?
Being queer is taking back the word that was used so negatively against the community and giving it power and a new meaning. It’s self-expression. It is acceptance of all different kinds of queer. It’s a sense of community and wanting to see all queers succeed and live happily. I love being queer and I wouldn’t change it for the world. It’s a superpower.
Can you tell us a bit about your event series – GLOSS.? What drove you to kickstart it?
GLOSS. is a QTIPoC-led project myself and my friend Misty created. We’re starting off with a club night, to then expand into other avenues including live music, panel talks and more. We’re holding space in places that QTIPoC and PoC communities are often underrepresented, despite much of them being created by people of colour initially. It’s not an exclusionary space so allies are encouraged as long as they are aware and respectful of the space they’re in. We are really keen to bridge that gap. In times like now where promoters are in it for money, it’s hard for grassroots events like us to succeed even though keeping this space is so desperately needed. So we have considered this in our planning too. Mix-Stress (Rebecca Swarray) once told me “if you don’t see the space, create it”, so that’s what I’m doing.
What do you see for the future of Tyron Webster? Do you have any particular goals you’d like to achieve with your creative journey?
I’ve just returned after 2 years off from releasing and performing so my goal is to get back out there. I want to perform loads more, collaborate more and just have fun with it all. I’m trying not to concentrate on the pressures that are often put on creators, especially in this current climate.
Where’s the best place for people to find you on social media and to find your music?
February marks LGBTQ+ History Month, an annual observation of queer history, including the gay rights and related civil rights movements. In the UK, this yearly reclaiming of history has been recognised since 2005, following the repeal of Section 28 in British law. Section 28 was a series of laws which banned authorities and organisations from ‘promoting homosexuality’, initiated in 1988.
Join us in honouring LGBTQ+ history, acknowledging the present, and creating a better future for the queer community this February. We have curated a list of events across Manchester to attend in recognition of the momentous month. Check them out below.
Across the generations, Irish LGBTQ+ people have emigrated and found opportunities to live and love abroad. EPIC, the Irish Emigration Museum, in partnership with the Irish Department of Foreign Affairs, are proud to play a role in illuminating this hidden history of Irish emigration. This free exhibition, highlights 12 stories from the vast, yet largely untold, history of Ireland’s LGBTQ+ diaspora. Drop in anytime within the library’s opening hours – entry is completely free.
Are you an LGBTQ+ artist, creative, company, community group, producer, programmer, venue or festival? Join the LGBT Foundation, Greater Manchester LGBTQ+ Arts and Culture Network, and LGBTQ+ creatives from across the UK for a day of discussion, provocation and inspiration. Through the likes of panels, presentations, performances and workshops, explore issues affecting LGBTQ+ communities. Lunch will also be provided so book your ticket now!
Meeting Point: Vimto Sculpture, Vimto Park, Manchester
Take a journey through various sites of historical significance to Manchester’s queer community with an expert tour guide. Lasting approximately 90 minutes, the walk will conclude at Kampus, just opposite the renowned Canal Street, to complete the evening with refreshments and networking.
Partisan Club, Islington Mill, James Street, Manchester
Brace yourself for this collaboration of Manchester’s greatest queer club nights and cabaret. Snogtown and Fatty Acid present Snoggy Acid, a night of unmissable entertainment, queer speed dating, and DJs.
Talk to the PHM’s expert Archive Team about how their LGBTQ+ collection continues to grow everyday. Explore archives including Lesbians and Gays Supporting Miners, papers of Michael Steed, former chairman of the Campaign for Homosexual Equality, and more. This is the perfect opportunity to understand how the collection is still used by communities, researchers, and individuals to explore the social and political stories of the past.
Manchester City Council are hosting a question time event to mark this year’s LGBTQ+ History Month. Hear from a diverse panel of speakers representing the local government, public health, voluntary sector and the creative arts. You will also have your opportunity to ask them questions. If you would like to submit a question in advance for the panel, please include this on the sign up form above.
Manchester Metropolitan University is holding a special screening of an exclusive film which recorded the events of the 20th February, 1988. On this day, over 20,000 people took to the streets of Manchester to reject Margaret Thatcher’s Section 28. Taking place in the ground floor cinema of SODA, this event gives people the opportunity to not only see the footage, but to also discuss its relevance today. You will be joined by Paul Fairweather MBE. Paul is a former Manchester councillor, long-time LGBTQ+ rights activist, and one of the organisers of the 1988 protest.
Kanaris Theatre, Manchester Museum, Oxford Road, Manchester
Head along to this documentary screening of ‘Under Your Nose‘. This documentary, depicts the story of the Black Lesbian and Gay Centre which was formed in 1985 South London. The documentary’s director and producer Veronica McKenzie will join the screening for a post-viewing Q&A session.
Send us your Manchester LGBTQ+ History Month events on Instagram and we will add them to our list.
Over the past three weeks, we held another round of our High Rise project, funded by MAES. Participants were invited to hop into solo and collaborative creative writing sessions, alongside character development workshops, to build their own audio dramas. Produced by some of Manchester’s dynamic young voices, these audio pieces delved into the highs and lows of urban change, delivering a raw, authentic take on gentrification’s impact. The dramas were exclusively previewed on Reform Radio’s airwaves in a one hour special. Listen to the full show below.
We caught up with Chris, one of our recent participants, to find out about his time on the programme and what he’ll be taking forward from it.
Introduce your name, pronouns, and what you currently get up to in your free time.
My name is Christopher, my pronouns are he/him and I am currently re-learning how to play the guitar.
How would you describe yourself in 3 words?
Work In Progress.
What prompted you to get involved with the High Rise project?
I previously really enjoyed doing scripting when I was on the Radio Course at Reform, so when I found out I could expand on this in the High Rise project, I was really keen to get involved.
Did you have much experience with creative writing before? If so, what’s your favourite thing about it?
I came onto the course with a tiny bit of experience in creative writing due to doing a session on it, also as part of the Radio Course. However, this was a whole different mine field for me and I was able to explore new areas of writing.
What’s your favourite book/poem that you’ve ever read?
My favourite poem would have to be ‘In Flanders Fields’ by John McCrae. I’m really interested in World War One so this is easily one of my favourite pieces.
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
On my first day in the space, I was really nervous and introverted. Expressing myself, getting to know others and becoming more comfortable has allowed me to come out of my shell a lot. I’m really proud of how much my confidence has developed.
Where do you find inspiration for writing normally and can you give us some examples of what/who inspires your work?
I find most of my inspiration simply from my imagination. Sometimes I think of random elements and characters and then write them down. I can build a whole story from there.
What will you take from the High Rise project moving forward & what are your plans from here onwards?
I’ve developed my writing skills so much through the project and I’ve also met lots of like-minded creatives. From here, I am going to work with another guy who was on the High Rise course to produce our own larger scale audio drama.
If you want to find out more about our future projects, contact us at projects@reformradio.co.uk.
Funded by Manchester City Council and MHA, as part of their 1892 Foundation, we are delighted to bring you our exclusive finance workshop, Money Matters. This workshop will be taking place on the 13th of February, from 2.30pm til 4pm at Reform Radio.You will be guided through the likes of debt management, savings, budgeting, interest rates and more. This is the perfect way to learn the ropes of finance in a welcoming and accessible space.
Check out the flyer below to find out how you can get involved.
North Manchester native, Pique Roscoe, joined iconic duo Jorgy and Cheech in the studio for their monthly show. From discussing his creative process, to covering all bases of culture, the trio provided us with some quality chit chatter on the airwaves. Not only this, but we got to hear directly from Roscoe on the mic, with the raw and remarkable bars he is known for.
Watch the full live session on YouTube below.
Listen to the full show, which also features Kuartz and Rokz, below.
Funding rounds are spaced throughout the year – link here
The GMCA Inspire Fund is providing grants of £500 – £2,000 for freelance and independent artists, and small organisations across Greater Manchester.
You may be a musician who would benefit from a new instrument, a small group who needs funds to expand your wardrobe or replace costumes, or a freelance artist who wishes to upskill via a training course.
The GMCA Culture Fund: Inspire is designed to support Greater Manchester-based:
Freelance artists.
Independent creatives, artists, musicians, and performers.
Small creative arts organisations (less than £100k turnover).
Guidance
Decisions are expected within 6 weeks of the closing date you have applied for.
All projects must be completed by April 2026. Click here for more details.
We hopped into 2024 with another round of our renowned DJ Sessions with our friends Do As You Please, funded by Manchester Adult Education. Over the past two weeks, a group of participants, eager to jump behind the decks, have been learning the ropes of beatmatching, blending and more. Our partners, GigPig, also joined us for a session all about gig-sourcing and self-promotion. Closing the project, our attendees put their new skills to the test in our celebratory showcase.
We caught up with two of our participants, Milo and Suse, to find out more about their time on the course and where they’re heading from here.
Introduce your name, pronouns, and what you’re up to at the moment outside the course.
M: My name’s Milo and my pronouns are he/him. Before Christmas, I was working in a corporate job which I really wasn’t enjoying, so I left and decided I wanted to get stuck into more fulfilling activities I actually wanted to do.
S: Hey, I’m Suse, my pronouns are she/her, and, at the moment, I am working in a club. I love working in a music-immersed environment.
What prompted you to get involved with the DJ Course?
M: I joined the DJ Course on a whim, to be honest. When I left my job, I started looking at creative opportunities I could take up. I was DJing a bit before as a hobby and I wanted to start taking the steps to getting a career in something I am actually passionate about.
S: I had seen one of the Creative Practitioners, Adele, DJing and she’s a huge inspiration to me so I was really keen to work with her on the course. Also, I am Portuguese, and, in my culture, music is so centred around community and acts as a love language we speak. DJing feels so universal to this.
What do you love most about DJing?
M: DJing is such a mindful and therapeutic activity. It’s so nice to lose yourself in it and get in the zone.
S: I really love the techniques and effects you can use when DJing, like blending. It’s training for the brain and I’ve loved picking these up gradually.
Did you have much experience in DJing before? What’s one stand out thing you’ve learnt at Reform?
M: I have a controller at home and me and my friends used to do DJing at home for fun. So, I’ve been mostly self-teaching myself for a while. A stand out thing I’ve learnt is definitely the backspin trick on the decks; I don’t think I would have ever attempted that unless I’d come on the course.
S: In the pandemic, I bought a small DJ deck and thought I’d try it out. I ended up uploading a female drill mix to my Soundcloud. Then I just got super busy with university work and stopped DJing as much. I promised myself I’d get back into it, so I have.
How would you describe a DJ set of yours in three words?
M: Energising, uplifting, and dancey.
S: Global music, dancey and nostalgic.
Do you have any role models in the music scene that inspire your DJing practice?
M: I have some favourite DJs, of course. But I guess the people that have really inspired my practice have been my friends through university that got me hooked on DJing. The collaborative environment we created allowed us to make mistakes and be really open-minded when it came to our craft.
S: I really love Uncle Waffles, and I grew up listening and taking inspiration from Disclosure – I have always loved house music. I also love DJ Chaise from the local scene. I think Uncle Waffles is probably my biggest role model, however, due to them platforming South African culture and that’s what I hope to do for my culture too.
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
M: On the first day of the project, I was really nervous for what was to come – especially finding out we had a showcase ahead in which we’d have to perform in front of people we didn’t know. But now, I feel so much more confident with the support of the Creative Practitioners and my peers. Also, it is so nice to be working in an environment that makes you feel like pursuing your goals is realistic and possible. I actually feel like I could be a DJ now.
S: My first interaction with Reform was at a one-day workshop, but I was super invested in the courses and the work Reform were doing. I was delighted to be able to join the DJ Sessions. From day one, things have been great and insightful. As the course has gone on, I have really felt my skillset grow.
What will you take from the DJ course moving forward & what are your plans from here onwards?
M: I’m really keen to take the motivation and inspiration I’ve gained through the project with me and really push myself to keep pursuing my hobbies and passions. I’m looking forward to hopefully getting some DJ gigs locked in to play.
S: I’ve been trying different courses and hobbies, but DJing has really stuck with me. I really want to start uploading some of my mixes to social media and get some gigs booked in.
If you could DJ at any festival, event, or place in the world, where would it be and why?
M: I’d have to start here first and play The White Hotel. It’s home, it’s not too big so you’re nice and close to who you’re playing for, and the room is always full of people who are actually there for the music.
S: I would start off with Parklife. I’ve worked there as a bartender over the years, but experiencing that as a performer would be incredible. Of course, it would be amazing to perform in my home country, Portugal, too.
If you could do a b2b DJ set with anyone, who would it be with and why?
M: I would have to say Gerd Janson. I think he’s a really consistent DJ and the Godfather of DJing.
S: I think it would be with DJ Chaise. She is amazing and I feel like we have similar energy so the set would be contagious.
If you want to find out more about our future projects, drop us an email at projects@reformradio.co.uk to get involved.
