We are excited to bring this exclusive combined Radio & Music Course to 4C Community Centre in Tameside. This is an exciting opportunity to learn the ropes of, both, radio and music production, songwriting, and radio presenting.
This project will take place from the 11th of November to the 22nd of November. There is also a taster session you can come along to on the 8th of November to find out more about what you’d be getting up to on the programme.
Our Podcasting Course is kindly funded by MAES and runs over a two-week period.
Have you ever had a podcast idea which you never got round to? Or maybe you have always wanted to get behind the mic but not known where to start. If so, then this one’s for you. Learn how to design, produce, record, edit and promote your podcast.
Lunch and travel is provided so, what are you waiting for?
See the flyer below for the full details on how to get involved in one of our future Podcasting courses.
Check out our antics at one of our Podcasting Courses in the video below.
Delve deeper into what our participants go up tohere where we chatted to Ruby and Dove about their time on the course and listen to the Reform Radio show they contributed towards below.
Find out about our other free creative courses here. If any of them take your fancy, get in touch with our lovely Engagement Team on projects@reformradio.co.uk to get involved.
We had a blast at our recent Music Course, funded by MAES. The two week programme was filled with songwriting, music production, and radio workshops. Meanwhile, to close the project, all the songs our participants created were showcased on a live radio show on Reform Radio.
It was about time we delved deeper into what our attendees got up to, so meet Theo, one of our participants who told us more about their musical inspirations and where they’re heading next.
Please can you introduce yourself, your pronouns and what you get up to in your free time?
Hey, I’m Theo and my pronouns are they/them. I like exploring abandoned places around Manchester and photographing them on my camera.
Describe yourself in 3 words.
I’m curious, inquisitive and adventurous.
If you were stuck on a desert island with a record player, what record would you want to have with you to listen to?
It would be ‘Jubilee’ by Japanese Breakfast.
Did you have much musical experience before you joined the course? If so, what’s your favourite thing about making music?
It was all very new. I had taken piano lessons as a kid when I was 6 and then did nothing musical. My favourite thing about music now has been being exposed to different genres of music. Also, I’ve liked seeing the different processes individuals have undertaken. It’s been great to see how my course-mates have developed their ideas. Furthermore, I have learnt the basics of chord progressions; I feel so empowered by that.
What prompted you to get involved with the Music Course?
I discovered the course on Instagram and I just thought I’d give it a go. I was a bit afraid of giving music a try but I’m glad I did.
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
I didn’t think I could write music. Now, I know I actually can if I’m encouraged and guided through it. Additionally, I thought I couldn’t sing but Alex, the facilitator, gave me all the confidence in delivering two lines of singing within my spoken word piece.
What will you take from the Music course moving forward & what are your plans from here onwards?
Experimenting and arranging new tracks is something I want to keep doing, alongside collaborating with more people. The musical process can be so solitary sometimes so you forget that you can let go of agency when you work with other people.
Who would be your dream artist/producer to collaborate with?
I love how Aldous Harding writes so it would have to be her.
We invited another round of participants into Reform Radio for our ever-growing DJ Sessions, funded by MAES. Our attendees were led through the likes of beat-matching, blending and mixing. By the end of the project, they were ready to take to the decks and play at a celebratory showcase, sharing all they’d learnt. We caught up with Erika, one of our newly-trained DJs, to find out more about what they got up to across the two weeks.
Introduce your name, pronouns, and what you enjoy in your free time.
My name’s Erika (she/her), and I’m currently working on improving my DJing skills. I’m usually doing something arts and crafty; lately I’ve been into crocheting and reforming clothes.
What prompted you to get involved with the DJ Course?
I actually took part in the Soundcamp Bootcamp earlier this year and was recommended to take the DJ course as it’s another pathway into the music scene. Most of the music I create is electronic, so it makes sense for me to take on these skills.
What do you love most about DJing?
It’s interesting seeing what elements mix well with each other when I’m blending different tracks together and the vibe that can come from it.
Did you have much experience in DJing before? What’s one stand out thing you’ve learnt at Reform?
This was my first time properly being behind decks. I’ve only played around with DJing a few years before but this was my first time seriously doing it. At Reform, I didn’t only learnt the ins and outs of the craft but also how to market and promote myself as a DJ. I also learnt how to put together a deck and what equipment to use which is handy.
How would you describe a DJ set of yours in three words?
I would say it’s a mix of experimental, harsh (in a good way!) and colourful.
Do you have any role models in the music scene that inspire your DJing practice and why?
KAYTRANADA is the reason I got into producing and I usually watch or listen to his sets because I love the range he uses in them.
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
I was so nervous that I was considering not attending the course as this felt like a completely new world to me. But ultimately, I’m so happy I decided to face it head-on. Now, I feel really welcomed and at ease with the people running the course and the people I took it with.
What will you take from the DJ course moving forward & what are your plans from here onwards?
I’m taking on a new perspective on the music scene. I’m ready to go full steam ahead with DJing and plan on doing more gigs and putting myself out there. I plan on booking more gigs in the new year and releasing music soon as well.
If you could DJ at any festival, event, or place in the world, where would it be and why?
I’d want to try an underground rave at one point. It feels a lot more intimate and vibey as opposed to a festival, I’d love to curate the mood for an event like that.
If you’d like to find out how you can get involved in our future projects, get in touch with our Engagement team on projects@reformradio.co.uk.
Next on our series of Skills Bootcamps, funded by GMCA and GM Work & Skills, was our debut Video Podcast Productioncourse. Our participants were led by Reform Radio and BBC Studios professionals to learn the ropes of planning, recording, producing and promoting a video podcast for a real-life creative client. These clients included Blossom Foundation, GigPig, Ghetto Fabulous and more. To draw the project to a close our group of attendees presented their work to their clients and industry professionals. It was a joy to see the incredible video podcast content they had created. Keep an eye our Instagram to check all of the podcasts out when they launch.
We caught up with a few of those who took part in the project to find out more about what they got up to and how they feel they have grown through the programme; meet Neenagh, Will, Lesley, Tomas and Chloe.
Participants, Les (far left) and Will (far right) with their podcast hosts from GigPig.
Neenagh (she/her)
What prompted you to get involved in this Skills Bootcamp project?
I originally did Reform’s Podcasting Course, funded by MAES, and I started my own podcast off the back of that. I jumped straight into making it as a video podcast for the social media content element. However, I didn’t really know how to do it so I paid for a production team to help bring it to life. This course came at the perfect time for me to build my technical visual skills. This has meant I can now create the podcast all on my own, giving me autonomy over my content.
Let’s throw it back to your first day at Reform on the Skills Bootcamp versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
One of the main things I will take away from Reform are the connections I have made. I’ve met such a diverse range of people and have made soul connections. They’ve made me feel understood, valued and appreciated. The staff have always been so motivational to me. I am such a self critic and suffered from really bad imposter syndrome before coming to Reform.
One of the first courses I took part in at Reform was Positive Frequencies and I wrote a piece about neurodiversity and how I’d overcome that into adulthood. Before I joined that course I was in hibernation. I had been through a really bad patch of life and, to be honest, I didn’t really see light at the end of the tunnel at one point. Reform has been a saviour. It got me back out the house. They helped me get back in touch with parts of myself that were in hiding. Reform really helped me ease back into connecting with other people, feeling safe to do so and having a safe space to be creative.
What is one thing you’d tell someone thinking of coming to join the next round of the project?
Absolutely come. There’s nothing to lose, but everything to gain. You’re in really safe hands and you’re going to surprise yourself with what you’re going to achieve.
Behind the scenes of the Ghetto Fabulous video podcast.
Will (he/him)
Let’s throw it back to your first day at Reform on the Skills Bootcamp versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
I’m more inquisitive. Also, I have found myself appreciating all types of media. It sounds dramatic, but I truly feel like I am getting more out of life and observing things. I do feel like I have changed as a person. Even on an interpersonal level, I’ve never been to a place where you introduce yourself with your name and pronouns and that’s really special.
Chloe (she/her)
What prompted you to get involved in this Skills Bootcamp project?
I wanted to join the Video Podcast course to increase my skillset, develop my CV and get more experience in the radio sphere.
What is one thing you’d tell someone thinking of coming to join the next round of the project?
Definitely join the project, not just for the radio side but it’ll improve your confidence too. You also get to meet some amazing people and work together in a team.
What is one thing you’ve learnt on the course?
One thing I’ve definitely learnt is how to create a video podcast, with attention to scripting and structuring it.
Tomas (he/him)
What prompted you to get involved in this Skills Bootcamp project?
I got involved because I have an interest in producing media. I already had an idea for a podcast that I wanted to create which covers issues the LGBTQIA+ community face, particularly gay men. However, I felt like I lacked some skills and I was getting overwhelmed by the production elements. Also, I would love to get some form of employment and to get my foot into a career in the creative field in Manchester.
Let’s throw it back to your first day at Reform on the Skills Bootcamp versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
So much has changed this past month. My main role in creating the video podcast was as Director and Creative Producer. I have had to see the project through so many elements. It has helped me build so much confidence. I always knew I was capable, but seeing it actually come to life with an actual pitch and creative brief and working with professional tools has boosted my confidence. I know that my podcast idea is not unachievable. It’s shown me I can do this!
Les (they/them)
What is one thing you’ve learnt on the course?
The key thing I have learnt from the course is how much I love editing. My key take away is being able to produce a podcast from start to finish. Whatever content you manage to gather, if you’re a good editor, you can make it look like gold dust. I never would’ve been able to learn these editing skills anywhere else or on my own because I’ve had invaluable feedback from the staff.
Get involved in our next round of Skills Bootcamps in Video Production or Video Podcast production; find out more information here.
We’ve kickstarted our series of Skills Bootcamps, funded by GMCA and GM Work & Skills. Launching the programme, we welcomed participants to our debut three-week Video Production course. Our attendees worked in teams throughout the project and were assigned real-life creative brief clients. This time round, they had the chance to create video content for Venture Arts, Sharp Futures, Bearded Fellows and Big People Music. To celebrate the closing of the project we held a showcase for our participants to share their work with their clients and a bunch of industry professionals.
Read our full catch up with two of our attendees, Sia and Yolanda, to find out about their time on our project below.
Introduce your name, pronouns, and what you get up to in your free time.
Y: I am Yolanda, and my pronouns are she/her. I’m well known as a radio presenter, and producer, but I’m also a vocalist.
S: Hi, I’m Sia, my pronouns are she/her. I am a gig person. I like trying out new gigs or festivals, especially in Manchester.
If you had to describe yourself in three words, what would they be?
Y: Innovative, enthusiastic and creative.
S: I would say creative as well, a music-lover, and adventurous.
What prompted you to get involved with Skills Bootcamp?
Y: I got involved with the course because it was suggested to me by my mentor, Adele, who I met at a previous course at Reform. Mainly, it was because I produce a lot of podcasts and radio shows, and I shoot a lot of content for Amapiano music specifically. I also do event promotion. So, I thought it would be a great skill to have in terms of shooting all these different things I run.
S: Video production was never my favourite thing, to be honest, but I’ve always wanted to learn about it. These days on social media, everyone uses short-form content. I thought it would be really helpful to get to grips with it.
If you could create any piece of video content for yourself/a brand/an artist, what would it be? And who would you want to work with?
Y: I’ve always loved adverts, especially Pepsi, Red Bull, Nando’s; all the adverts that have either entertainment or sports behind them. It would have to be one of those!
S: I can’t really specify one company. I would say just a general music label or artist. Since I’m more into the live music industry, it would be cool to capture live show moments.
Did you have much experience in video production before? What’s your favourite thing about it and why?
Y: I have had experience with camera equipment and video because of shooting podcasts in my past. Because I went to an arts institution in South Africa, I was exposed to film equipment and filmmakers. My favourite part of video production is the conceptualising. For example, storyboarding, putting it together, thinking of the ideas and where you’re going to shoot it.
S: I don’t have much experience in video. It was almost my first time filming properly. My favourite part is that video is so impactful and can be so powerful when you edit it.
What’s one significant thing you have learnt through your time on Skills Bootcamp?
Y: The formatting, how to save it, how to export it, what to name it, what to label it, and more. I’m one of those who will dump footage anywhere so that was really helpful.
S: It sounds not interesting, but definitely how to edit. It is the basic but essential skill that you need to create the best outcome.
Let’s throw it back to your first day at Reform on the Skills Bootcamps course versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
Y: I was a bit anxious about meeting people as I tend to have a bit of anxiety leaving my house. But for this course, because I’ve worked in a crew and a creative team, it gave me the inspiration to want to be here. I want to be on time. I want to be active, and want to be here.
S: It was my first workshop to participate in at Reform, and I was a bit nervous about meeting new people and getting to know a new group. Now, I’m feeling more confident, I would say. I feel more familiar with everyone and this environment.
What would you say to someone thinking about signing up for the next round of the Skills Bootcamps?
Y: Reform Radio courses are very hands-on, in terms of you as a person and technically. The courses do seem as if they run really fast, but, trust me, by the end of the day, you’ll know what you’re doing and what’s expected of you. That’s one thing I really appreciate about the course; you know what the end goal is, and you’re given time to work towards it.
S: It’s totally understandable if you’re intimidated at first, especially if you have no background or experience in video editing. But the team members are all so supportive so don’t be afraid. They will always help you along the way.
What will you take from Skills Bootcamp moving forward & what are your plans from here onwards?
Y: For me, if I could, I’d take Nick, one of our facilitators because he is amazing! But jokes aside, I’ll take the process of the whole shoot, from start to finish – conceptualising, storyboarding, shooting, editing, and the whole process of shooting. I’ve got another team of mine who wants to shoot a lot of commercials and a lot of YouTube skits and shorts. I’ve got interviews with international artists coming up, so it’s going to be really helpful in terms of working with my team, whether it’s editing, shooting or writing up storyboards and questions. I’m definitely going to use these skills consistently.
S: I will take the essential editing skills from this course to use for social media content in the future.
Head to our Upcoming Projects page here to find out about what else we’ve got coming up.
Do you want to work in the Creative & Cultural Sector?
Reform Radio are bringing you a brand new Skills Bootcamp in Video Production. It’s free to access and travel and refreshments are provided. The aim of this programme is to support you into a paid role in the Creative and Cultural Sector.
This programme takes a hands-on approach, responding to real creative briefs and producing a piece of video content from development, through pitching and production, to post production and showcase. You’ll have access to masterclasses from industry experts and be fully supported by our team using the latest video and audio equipment.
Read our catch up Sia and Yolanda from our most recent Video Production cohort here. Find out more about what they got up to and where they’re heading next.
On this programme you will work in a small group to create:
A 60-90 second shortform video
A 15 second taster video
A 6 second teaser
You will develop skills in:
How to interpret and respond to a creative brief, based on client’s needs
How to develop the idea into a production workflow and organise a shoot
Working with talent and contributors
Training on the latest DSLR cameras and array of lenses
Training on lighting and on shoot troubleshooting
Best practice for backup, storage and management of files
Post production and editing using premiere pro
Working with and responding to feedback from clients
How to split the final product into different lengths and formats for various social platforms
Programme Dates:
Round #4
Monday and Wednesday evenings from 20th January to the 26th of March(6PM – 9PM).
Employed but looking for new work in the creative and cultural sector
Have the right to live and work in the UK
No prior experience needed
If you work within the sector and are looking to upskill and stay in your current role, please get in touch with mike@reformradio.co.uk for more information on how to get involved.
How to get involved
If you are interested in applying for this programme please answer the questions below and send to mike@reformradio.co.uk:
Name and current employment status
Are you 19-30?
Do you currently work or live in Greater Manchester?
Why would you like to apply for the programme?
What type of role are you looking for in the creative & cultural sector?
Can you commit to all sessions on the programme?
What is your phone number?
Please apply by submitting either:
A written application – 1 page max
An audio or video application – 2 minutes max
If you need any support with your application or have any questions please contact Mike on mike@reformradio.co.uk or on 07719 873972.
This training has been made possible thanks to Greater Manchester Combined Authority securing funding to deliver Skills Bootcamps, which form part of the Government’s Lifetime Skills Guarantee, helping everyone gain skills for life.
Do you want to work in the Creative & Cultural Sector?
Reform Radio are bringing you a brand new Skills Bootcamp in Video Podcast Production. It’s free to access and travel and refreshments are provided. The aim of this programme is to support you into a paid role in the Creative and Cultural Sector.
This programme takes a hands-on approach, responding to real creative briefs and producing a piece of content from development, through pitching and production, to post production and showcase. You’ll have access to masterclasses from industry experts and be fully supported by our team using the latest video and audio equipment.
Join experts from Reform Radio, BBC Studios and more.
On this programme you will work in a small group to create:
A 5-10 minute episode of a podcast
A 1 minute taster
2-3 video teasers for social media
You will learn:
An overview of the podcast landscape, including the increased importance of video
How to interpret and respond to a creative brief based on client’s needs
How to script, structure and plan a podcast
How to develop the idea into a production workflow and plan
Training in Reform Radio’s industry standard video podcast studio, event space and production gallery
Working with talent and contributors
Tips on presenting and interviewing
How to record and edit both video and audio podcasts using latest software and technology
How to split the final product into different lengths and formats for various social platforms
Developing a podcast launch and marketing strategy
Podcast distribution and analytics
Read our interview with some of our recent Video Podcast Production participants to find out more about what you could get up to on the course here.
Programme Dates:
Round #4
Tuesday and Thursday evenings from 21st January to the 27th of March(6PM – 9PM).
Employed but looking for new work in the creative and cultural sector
Have the right to live and work in the UK
No prior experience needed
If you work within the sector and are looking to upskill and stay in your current role, please get in touch with mike@reformradio.co.uk for more information on how to get involved.
How to get involved
If you are interested in applying for this programme please answer the questions below and send to mike@reformradio.co.uk
Name and current employment status
Are you 19-30?
Do you currently work or live in Greater Manchester?
Why would you like to apply for the programme?
What type of role are you looking for in the creative & cultural sector?
Can you commit to all sessions on the programme?
What is your phone number?
Please apply by submitting either:
A written application – 1 page max
An audio or video application – 2 minutes max
If you need any support with your application or have any questions please contact Mike on mike@reformradio.co.uk or on 07719 873972.
This training has been made possible thanks to Greater Manchester Combined Authority securing funding to deliver Skills Bootcamps, which form part of the Government’s Lifetime Skills Guarantee, helping everyone gain skills for life.
Our acclaimed DJ Sessions are one of the most popular free creative courses at Reform throughout the year. Over the course of the project, participants get hands-on experience in the likes of beat-matching, self-promotion and sourcing gig opportunities.
This project is kindly funded by MAES, and takes place across two weeks. The programme closes with a celebratory showcase. Lunch and travel is provided.
For the full information on how to get involved in our next round of DJ Sessions, check the flyer below.
Hop behind the scenes of one of our DJ Sessions in the video below.
Meet Erika that took part in our last programme who chatted to us about what she’ll be taking from it moving forward here.
Find out about our other free creative courses here. If you like the look of them, get in touch with our lovely Engagement Team on projects@reformradio.co.uk to get involved.
Music Course is a two week course dedicated to audio production, social media and creative writing, funded by MAES.
Taking you on a step-by-step journey to creating music and radio shows, this course doesn’t shy away from getting stuck into the full process of music releases, from song-writing, to producing tracks, promotion.
Take a look at the flyer below for full details on how to get involved in our ever-growing Music Course.
To take a sneak peek at one of our Music Courses, from producing, boogying, and an exclusive drum workshop, check out the video below.
You can also get to know one of our Music Course participants, Theo, and find out what they got up to on their round of the project here.
Listen to the show created by the latest Music Course cohort below.
Find out about our other free creative courses here. If any of them take your fancy, get in touch with our lovely Engagement Team on projects@reformradio.co.uk to get involved.
Do you have a creative vision you want to bring to life? Or maybe you have the heart set on becoming your own boss but don’t know where to start? If this sounds like you, then meet The Freelancer’s Blueprint. This is a 5-day project dedicated to freelancing and setting up your own enterprise. It is funded by Manchester Adult Education Service.
The Freelancer’s Blueprint is a comprehensive course that will teach you everything you need to know about facilitation, funding, finances and what it takes to be a freelancer. Whether you’re a seasoned pro or just starting out, this course will give you the tools and knowledge you need to succeed.
Learn how to understand your audience, navigate self-employment, and manage your taxes. You’ll also gain invaluable skills in facilitating workshops, delivering socially engaged projects, writing funding bids, and more.
We collated the full session plans of The Freelancer’s Blueprint and funding resources on our blog here. Head to the link for the full down-low on what you can expect from the programme and a collection of materials to help you with your freelancing journey.
Check out the flyer below and find out how to get involved in our upcoming course.
Find out about our other free creative courses here. Get in touch with our lovely Engagement Team on projects@reformradio.co.uk to get involved.
Ever wanted to learn the production side of radio? Or have the chance to test your hosting skills live on air from our award winning studios?
Our Radio Course is a two week project, inviting participants into Reform to hop behind the mic and get presenting. It is funded by MAES and takes place on weekdays.
Check out the flyer below for more details & how to join us.
Find out more about what goes on at our Radio Course with participants Hanad & Nell here. The duo spoke to us about their time at Reformand what they’ll will be taking from it moving forward.
Head behind the scenes of one of our Radio Courses below.
Listen in to our last round of participants’ radio show here.
Check out our other free creative programmes here. If you like the look of them, get in touch with our lovely Engagement Team on projects@reformradio.co.uk to get involved.
Throughout June we hosted a new bunch of participants here at Reform Radio for another round of our DJ Sessions. Funded by MAES, attendees were led through the likes of mixing, beat-matching and self-promotion. This cohort also received masterclasses from the likes of Not Bad For A Girl, Genre Music and GigPig. To close the course, our new DJs took to the decks at Revolution Manchester to play a 10 minute set, showcasing all they’d been working on.
We were lucky enough to catch up with two of our participants, Caylee and Cookie, about what they got up to and where they plan to take their new DJing skills. Check it out below.
The recent group of participants on our DJ Sessions
Introduce your name, pronouns, and what you get up to in your free time.
Cookie: My name is Cookie (they/them). I’m a multi-disciplinary artist. I do design, illustration, mural work, poetry, and spoken word. I’m also a vocalist in a punk band and a creative producer for The Untold Orchestra.
Caylee: I’m Caylee, my pronouns are she/her. I don’t really do much in my free time. I used to bartend at events. I’ve quit that now to live life and focus on where I’m going next.
What prompted you to get involved with the DJ Sessions?
Cookie: I bumped into a friend who was on the last DJ course when she was on her way to Reform. She just had a different energy about her. We both had said we were going to learn to DJ this year. She said I had to get on this course so that we can do a B2B we’d been planning for years. I could just tell from her energy that it was a good thing. I immediately signed up.
Caylee: Well, I heard about this through my friend and also through the Job Centre. I signed up as soon as my friend told me about it and then the Job Centre helped me to get onto the register. I have a few DJ friends. One of my friends, he’s a very accomplished DJ and producer. I used to always go to his events in Sweden. I just love the way that he gets the crowd moving. He’s constantly in the zone and I just admire his craftsmanship. I was wondering how he does it so I decided to give DJing a go.
What do you love most about DJing?
Cookie: I’ve really enjoyed learning about the equipment. I do ad-hoc stage managing and I’ve wanted to know what all the names of all the equipment are. Because I work on live shows, there’s no time to be asking questions. So it’s been nice to be around people who are willing to help you learn at your pace. It’s been really encouraging.
Caylee: The creativity of it all. I’m enjoying just getting behind the decks, freestyling and having fun. It’s just constant excitement. Once you learn something and then you can apply it yourself and it actually sounds good, it’s the best feeling.
Cookie: I completely agree. Sometimes I forget I’m not in the crowd dancing and then I come back into the room and remember I’m the one in control of the music.
Caylee: Me too. I’m in the practice rooms raving to my own mixes. It’s the best serotonin hit.
Cookie, a participant on our DJ Sessions
Did you have much experience in DJing before? What’s one stand out thing you’ve learnt at Reform?
Cookie: I didn’t have any experience in DJing so it’s amazing being able to just understand all the different operations on the decks. Doing hot queues; I’m obsessed with the fact that I can do all these new things. I feel like I’ve got a higher knowledge of the music now.
Caylee: I think just knowing how to make it sound good. I’ve enjoyed playing with the tunes, taking out certain aspects of a song to help another song and even having two songs playing at the same time. It’s the best feeling when it’s sounding good together.
How would you describe a DJ set of yours in three words?
Cookie: High energy, intense and eclectic.
Caylee: I would say fun, light-hearted and different.
Do you have any role models in the music scene that inspire your DJing practice and why?
Cookie: Jaguar, as a DJ. I met them a few years ago when I was doing body painting at The Warehouse Project. It was when they were just starting off. They were telling me what they were going to do in terms of doing a diversity rider, so that when they get booked, it ensures that they have other marginalised genders, races and identities at the same events. I was saying they were going to change the game with that and they really have. Now, they’ve got their BBC Introducing residency and it has actually changed the way that most DJs are booked.
I also love Metrodome. He’s been DJing since he was four years old and he is such a varied DJ. I love watching him and seeing his same childlike energy now and the faces he does when he has excited himself. He’s the only person I’ve seen that can turn up to a gig, realise he’s left his USB back at home, borrow someone else’s, and play the tunes better than them. Adele, one of our Reform mentors, has also inspired me too. I was blown away by her DJing.
Caylee: Me too. Adele just had so much energy in her when she was playing for us. Again, my friend Eric is a huge inspiration to me. If it wasn’t for him, I would have never even thought about being a DJ. I’m from a very musically inclined family but I can’t sing or play any instruments. Now I’ve got into DJing, it all makes sense; this is what I’m supposed to be doing.
From left: Adele (Reform Mentor), Naomi & Les (creative practicioners)
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
Cookie: I feel really comfortable in the space now. I’ve been to Reform for a couple of other things in the past and I was always worried being around such expensive equipment. I would always think ‘Cookie, don’t touch anything, don’t knock into anything’. Now I know what everything is and what it does. I feel much more comfortable here and very knowledgeable. I feel like I’ve learned so much in these past few days, but in a manageable away.
Caylee: I feel very much more confident in myself, even just in general, and also optimistic about my future. I used to be so scared of the future and thought I would have to do a boring 9 to 5 job. Now I know I can take other routes and still live my life happily.
If you could DJ at any festival, event, or place in the world, where would it be and why?
Cookie: Definitely We Out Here Festival. It’s the most comfortable I’ve ever felt at a festival. It’s very well mixed in terms of diversity and race and gender. There’s a lot of opportunities to DJ in the different spaces there. For example, they have a roller rink you can DJ at. Last year, on another stage, they had breakdancing in the background and DJs on stage. I would love to have that mix of creativity going on around me.
Caylee: If I was going to choose a festival, it would be Boomtown. It’s such a colourful festival. Venue wise, the Avicii Arena is my favourite. You know when you have a really personal connection to a certain place that you can’t explain to someone else? It’s just my place.
What will you take from the DJ course moving forward & what are your plans from here onwards?
Cookie: The course has given me a space to be inquisitive which is nice. It’s a welcomed inquisition rather than making you just get on with things without asking questions. There is space to ask more and it is welcomed to do so.
Caylee: It’s given me lots of knowledge and skills, and the confidence to actually put myself out there. I’m obviously sad that I’m not coming to Reform anymore, but I’m excited to actually get out there and see what I can do with my new skills in the world.
If you want to find out more about our future courses, drop our Engagement team an email on projects@reformradio.co.uk.
Do you want to work in the Creative & Cultural Sector?
We are delighted to share that Reform Radio are bringing you two brand new Skills Bootcamps in Video Production and Video Podcast Production. Both projects are free for new learners to access and travel and refreshments are provided. This training has been made possible thanks to Greater Manchester Combined Authority securing funding to deliver Skills Bootcamps, which form part of the Government’s Lifetime Skills Guarantee, helping everyone gain skills for life.
Both programmes take a hands-on approach, responding to real creative briefs and producing a piece of exciting content. You will see these content projects through from development, pitching and production, to post-production and a closing showcase. You’ll have access to masterclasses from industry experts and be fully supported by our team to use contemporary video and audio equipment. By the end of the programme, you will have developed a bespoke piece of content to add to your portfolio.
To take part in this project you must be:
19 – 30 years old
Working or living in Greater Manchester
Are currently one of the following:
Unemployed
Freelance/ Self Employed
Employed but looking for new work in the creative and cultural sector
Have the right to live and work in the UK
No prior experience needed
If you work within the sector and are looking to upskill and stay in your current role, please get in touch with mike@reformradio.co.uk for more information on how to get involved
To find out more about the individual courses and how to get involved, click on their specific pages below.
In this exclusive online session, Mike Burgess will be joining us to discuss all things surrounding music rights. For those of you that don’t know Mike, Mike has worked in the music industry for over 15 years. His career has been far-reaching, from him originally being a successful DJ himself, to then managing signed and upcoming artists. He also worked as an assistant producer with 6 Music, and led BIMM Manchester’s BA (Hons) Music Business course. Now, he is an independent music rights advisor.
From copyrighting to royalties, this session is the perfect introduction to understanding how you can protect your music and learn about profit splits. It is for anyone aged 18+ who is ideally already releasing their own music.
Join us on the 26th of June, from 7PM until 8.30PM.
This workshop is limited to 25 spaces so act fast to reserve your spot here.
Join us at our Podcasting Course, in partnership with One Manchester and Gorton Central. Learn the ropes of script-writing and audio production, and bring your podcast idea to life. This is the perfect start to gaining experience in designing, recording, producing and editing a podcast. To bring the project to a close you will be part of creating a live radioshow on the Reform Radio airwaves.
If you’re aged 18 to 30 years old and not currently in work then this one is for you. Lunch and travel is provided.
Check the flyer below for the full details on how you can get involved.
The latest round of our Radio Course, funded by MAES, has drawn to a close. The past two weeks have seen us welcome a new group of young people into the Reform Radio space to learn the likes of scriptwriting, audio production, recording, presenting and more. It’s certainly been a busy fortnight with our attendees having the chance to visit BBC 5 Live studios. Meanwhile, they were able to put their interviewing skills to the test with special guest, Lauren Haynes, of the Great British Sewing Bee. The exclusive Zoom interview they conducted, alongside all the audio pieces they’ve been working on throughout the course were then showcased in a radio show.
Listen back to the show below.
To find out more about this project’s antics, we caught up with two of our participants, Nell & Hanad.
Introduce your name, pronouns and what you get up to in your free time.
H: My name is Hanad, my pronouns are she/her and my current pastime is trying to get fit and healthy.
N: I’m Nell and my pronouns are she/her. In my free time, I like producing theatre.
Describe yourself in 3 words.
H: I would say funny, caring and enthusiastic.
N: High-energy, affectionate and funny.
Did you have much experience in radio or presenting before? What’s your favourite thing about it?
H: The only experience I had in radio was as a child. In Year 3, we got to go on a local radio station. After that, I remember thinking I was a star. I did a bit of performing arts in high school too, but I shied away from the limelight for a while following this. Radio feels like the right stepping stone to going back to my roots now. I like not being on camera and being able to use my voice as my most power tool.
N: I did a bit of podcasting as part of my degree and I did a lot of performing throughout growing up too. I was looking for a way to marry up my interests and what I studied; radio felt like a comfortable, happy medium. Similar to Hamad, because you’re not on camera, you have so much more freedom to express yourself. I gesticulate a lot when I speak and I enjoy being able to do that authentically. So much of the time, you have to look and appear a certain way in the media; this isn’t the case for radio.
Nell
What prompted you to get involved with the Radio Course?
H: When I saw the course being advertised, I noticed the age eligibility was for those below 30. I am 29 so I thought to myself ‘if I’m going to do it, now is my time’. So I decided to take the bull by its horns and apply. I had grown tired of working in corporate job roles, and I was ready to try something new in which I could be myself.
N: I had not long finished uni and had been thinking a lot about what I wanted to do next. So I started looking at all the things I enjoy doing, and radio seemed to relate to all of them. I have also been craving structure since leaving university.
Throughout the course, you’ve been working on your own radio shows, what have inspired your direction with these and can you tell us about the themes of your shows?
H: The title of our show is ‘Misfits Fit In’ and it summarises our group of people so well. We genuinely look as if we are on jury duty; we are from all walks of life and places around Manchester. I am loving the fact we have all been able to come together and create something together. It’s an opportunity we wouldn’t have had if we weren’t on the course.
N: The theme of misfits has been a great lens to look at things through. My audio piece is about mental health as it’s Mental Health Awareness Month. Much of the time, mental struggles can alienate people and make us feel a sense of otherness. In reality, we can often bond over these emotional struggles. It’s been nice to come into a safe space and have open conversations about this.
ME Blair
Let’s throw it back to your first day at Reform versus now, tell me a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
H: I’m so happy I stuck with the course. To begin with, I was really apprehensive about doing the icebreaker tasks; it made me feel like I was on my first day at school. But I recognise now that those tasks were there to get us to where we are today – creating together. I’ve loved working with everybody.
N: I was nervous at the start of the course to work in a smaller group. Being creative is vulnerable. Now, I feel a lot more confident sharing my own ideas with people. I believe this will translate into my everyday life too. My confidence is so much bigger in backing my own ideas and putting them out there.
Hanad
If you could have any guest on your own radio show, who would it be and why?
H: There’s loads of people I’d love to have on my own show. However, to pay homage to my favourite host of all time, I would have to say Graham Norton. It would have to be him so I could pick his brain and learn about how he got to where he is today.
N: Someone with a nice voice – maybe, Joanna Lumley. I’d also love to have both of my grannies on air.
What’s your go-to radio station to lock into?
H: Mine is LBC if I want to listen to chatter, or Capital Extra for music.
N: BBC Radio 1Xtra.
Fionn (left) & Funkę (right)
What will you take from the Radio Course moving forward & what are your plans from here onwards?
H: Definitely a newfound, or reaffirmed, confidence and self-belief. I need to find creative spaces, or make these spaces myself if I can’t find them. I’m going to work with Reform to get some employment and funding application support.
N: It has given me drive to keep creating. I want to stop waiting for opportunities to come to me and go searching for them myself. Next up for me is continuing to work on a devised theatre piece called ‘Look What We’ve Done’ in Manchester.
It’s time to meet the last two finalists of our Soundcamp 2024 cohort. After taking part in our Soundcamp bootcamp back in February, this duo were selected alongside six of their peers to join us for a further six months of artist development sessions. The eight participants have received direct mentorship with industry pros including Layfullstop, Jack Kong and Werkha, alongside honing in on their craft in a series of creative workshops. All attendees are working towards an evening of exclusive performances at The Blues Kitchen on the 15th of May. Grab your free tickets here.
Meet Alpha Twang and HAZZU below.
Alpha Twang
Hey I am Alpha Twang. I am a producer, I make electronic music and I also DJ as Summer’s Groove. You can find me on Instagram at @alpha_twang and you can find my music on all streaming platforms.
How would you describe your music to someone who’s never heard it before?
I would say it’s storytelling with sound. I want to evoke feelings and take listeners on a journey.
What prompted you to get involved in Soundcamp and what are you hoping to achieve from it?
For me, I have spent the last few years as a bedroom producer. I saw Soundcamp as an opportunity to transition into live performance and to find ways to get my music out to larger audiences. The showcase on the 15th of May will be the perfect way to express my journey since starting to produce in 2019.
Where did your journey with music begin?
I started to produce within Ableton in 2019. Before that, I always knew I wanted to do something with music but I never felt like I could because I didn’t have any training in it. Between 2019 and 2020, I started teaching myself a lot through music forums, YouTube and Reddit. I started to notice myself really improving so I began working with other artists. Since then, I have done some residencies, some sound design commissions and now I am here at Reform doing Soundcamp.
Describe your creative process from starting to finishing a track.
One thing that I love about electronic music is that there isn’t a right way to go about it. I usually go into a project with it as a complete blank slate. I will watch a tutorial video first to see what area of production I want to explore through this specific track. I start experimenting and then hours of chaos begin. About halfway through the process, everything starts to coalesce into something and I hone in on that until I have a finished track.
Who are the main inspirations/influences for your sound and aesthetic?
My biggest influence in terms of music production is Arca. She showed me new portals of what you can do with electronic music, like using textures and creating three dimensional sounds. Flying Lotus is another one, and composers like Philip Glass, Hans Zimmer, Mica Levi, John Hassell and more.
If you could collaborate with anyone on a track, who would it be and why?
I think at this point in my career, I would love to work with a lot of the queer and upcoming electronic artists I know. For example, blood of aza, or Andras 2020. It would be a joy to work with these friends of mine from all of over the world. We all found each other through Arca’s Discord server in 2020 and we created multiple mixtapes together for charities with Arca herself. It’s called MUTANTS MIXTAPE; I recommend checking it out. But yes, I truly see these friends of mine as the future of electronic music.
What are your biggest goals/plans for your music in the future?
I would love to lean into sound production for movies and video games. However, I would also love to work with live instrumentalists. I am a huge classical music fan so it would be amazing to hear my work played by an orchestra. I also hope to continue honing in on the themes I’ve started exploring through my music, like identity, Manchester, and existing in the city as a Black person.
HAZZU
My name is HAZZU and you can find me on all streaming platforms. I was raised in Spain, I’m originally from Senegal, and now I’m in Manchester.
How would you describe your music to someone who’s never heard it before?
People always describe my music as ‘a vibe’. I would also describe it as short and intense at the same time.
What prompted you to get involved in Soundcamp and what are you hoping to achieve from it?
I just want to grow as an artist. Music is my way of coping with both the good and bad in life. As an artist, I hope to personify all of these feelings and my journey. From Soundcamp, I think I will just go higher and higher on the road to being the best I can be.
Where did your journey with music begin?
My dad used to play Akon in the car, anywhere we’d go. I was instantly drawn to it as a kid. From then on, I fell in love with music. When I was about 10, I started writing short poems and four bars of words. I just kept going until I was able to write a full song. The first time I stepped into a studio was 2021 to record my first ever track.
Describe your creative process from starting to finishing a track.
It depends on how my day goes really. To create the beat itself, I will usually buy one thats already made, or I’ll head to YouTube and work from there. My writing process is very mixed. I usually start with the hook and build up from there.
Who are the main inspirations/influences for your sound and aesthetic?
I really like R&B music so some artists that inspire me include AKON, Ne-Yo, and Danny Brown.
If you could collaborate with anyone on a track, who would it be and why?
Currently, I would say Nemzzz. He’s originally from Manchester and we actually went to the same high school. I think my artistry can fit into any project so I definitely think it would work. Nemzzz’s music is something you can instantly vibe to, like mine.
What are your biggest goals/plans for your music in the future?
I just want to make an impact on people, no matter how small. I guess, when I’m not here anymore, I want to be able to reflect and know I have helped people.
Grab your free ticket to see Alpha Twang & HAZZU alongside the rest of the Soundcamp cohort live at The Blues Kitchen on the 15th of May here.
Over the course of two weeks, participants for our acclaimed Music Course hopped into our series of workshops to create and collaborate. Funded by MAES, the programme walks attendees through the likes of musicproduction, social media and creative writing. Throughout the project, our participants worked on their own tracks to be debuted on Reform Radio in a one hour radio show.
Listen back to the show below.
We chatted with Jack and Yorusa who took part in the course about what they got up to, their musical influences, and where they’re heading from here.
Introduce your name, pronouns, and what you get up to in your free time.
Y: I’m Yorusha, my pronouns are she/they, and in my free time I really enjoy spending time with my friends and family, writing and reading, and watching films.
J: My name is Jack. My pronouns are he/him. I love music in all forms, whether it’s listening, creating or producing. I also love watching art-house movies and exploring Manchester.
Describe yourself in 3 words.
Y: Curious, conversational and humorous.
J: I would say determined, aloof and open-minded.
If you were stuck on a desert island and could only listen to one record, what record would you want to have with you and why?
Y: NAO’s ‘For All We Know’.
J: It would have to be Lady Gaga’s ‘Born This Way’. It’s the best pop album of all time.
Did you have much musical experience before the course? What’s your favourite thing about making music?
Y: I had a bit of experience with music and performing live. I really love performing and I spend a lot of time around artists too. Sometimes, I’m not creating music, I’m just having conversations about it with other creatives. It’s nice to have an idea and losing yourself in the creation. There’s so much chaos, and boundless possibilities in making music. You never know what is going to come out of you.
J: I’ve been involved in music for the past 12/13 years. I started producing when I was in secondary school when I should have been doing my homework. Since then, I have released some compilations and worked with some labels. I’ve mostly produced dance music, but I have also started to explore songwriting more recently. My favourite part of creating music would have to be getting the idea in your head down securely. Music is another language. It’s so freeing to be able to express an idea through it.
What prompted you to get involved with the Music Course?
Y: I really wanted to learn how to produce. I feel like you’re expected to know how to do so much as a musician these days. I was eager to learn about production more thoroughly, and also get to grips with technical terminology to be able to communicate more effectively with other creatives.
J: I wanted to get more experience in areas out of my comfort zone, like songwriting and lyricism. But, more specifically, I wanted to return to Reform. I recently did the Classical Connections project here and it was the most nurturing environment. I was ready to come back and embrace all of that again.
Let’s throw it back to your first day at Reform versus now, tell us a bit about your first impressions/feelings/emotions in comparison to how you feel now. What has changed?
Y: My skill set has definitely increased. I was experienced in music making, but I have learnt so much about the work that surrounds releasing music, such as promotion and marketing. I have the know- how now if I wish to take music further.
J: I think the main thing that has developed through my time on the project is my connection with others on the course. You start off knowing nobody, and now I have built such strong bonds with everyone. We all have a special connection now; we bonded over something we love.
Do you have any musical role models that inspire your practice and why?
Y: My friends. Even those around me in the room on the project. It’s been inspiring seeing how everyone has created music differently and noticing their differing approaches.
J: I really admire SOPHIE as a trans producer and DJ. Her music is so beyond anything my brain can comprehend and I’ll never forget her legacy. Daft Punk also inspire me with their clever use of sampling and their ability to build such a futuristic sound. We still don’t hear music like theirs now. Prince’s general artistry is also phenomenal.
When writing new music, where do you begin with the process and what inspires you to make a new track?
Y: It often happens for me when I’m just humming to myself. Either this, or I’ll be reflecting on a conversation I had and considering what I would’ve said. Once I’ve secured the words, I will start forming verses and rhymes here to build a bigger feeling and emotion in a track.
J: I tend to just get sporadic ideas coming to my head and I will quickly record them as voice recordings. When an idea comes to me, I see it as a gift and I know it’s fleeting so it’s important I get this down to log it. However, when I am producing dance music, going to the club is so inspiring to me. Being surround by that sound and space allows me to receive creative energy to then transfer into my own work.
What will you take from the Music Course moving forward & what are your plans from here onwards?
Y: I think it’s given me a lot of confidence. It’s made me feel like music is realistic for me to pursue in my journey. I am ready to push boundaries and make music of my own. I’d also love to do my own live shows and use movement in these sets.
J: An encouraging environment is priceless; that’s what I will take with me. I’ve learnt that being surrounded by positivity and support is vital to my progression. I’m really grateful to have been able to attend this project. Now, I’m keen to collaborate with other songwriters and producers to help them flesh out their ideas as well as my own.
We’re back to introduce you to two more of our Soundcamp finalists, funded by Youth Music, in partnership with Thirty Pound Gentleman. In case you missed it, we kickstarted our 2024 Soundcamp programme back in February, inviting thirty participants into Reform to take part in a two week bootcamp. To support them with their music creation, we had industry pros Layfullstop, Jack Kong and Werkha in the space. From production support to providing their musical ears, the trio gave our attendees an array of great advice to take with them.
Eight of our participants were chosen to continue their journey on Soundcamp, through our six month mentorship initiative. These finalists are joining us every week for focused artist development, musical workshops, and a dedicated space for their creative practice. Meet Ishola & Sarah, two of our artists, below.
Known Konopka
I’m Sarah Konopka, also known as Known Konopka. My pronouns are she/her. I produce techno-house music and I’m also a DJ. You can find me on SoundCloud and on all social media.
How would you describe your music to someone who’s never heard it before?
My music is a journey. It starts off emotional and then you’re on a high by the end of it. It’s my job to change your emotions through listening to my tracks.
What prompted you to get involved in Soundcamp and what are you hoping to achieve from it?
I came to Reform’s other courses, like Music and DJing. I had never received so much acknowledgement for my music and creations before. It was only then that I realised I could actually do Soundcamp. I was ready to receive more feedback and get input from professional mentors. All of my music prior to this, I had done completely on my own. I taught myself through YouTube tutorials and videos online. Already, I am noticing the difference from the 1-2-1 support I am receiving, learning about what equipment is actually out there, and what opportunities are out there. From the project, I hope to achieve getting my music in the right places and hands to make progression happen. I also just want to perform; it’s my favourite thing to do.
Where did your journey with music begin?
My need to create music has come from my need to express and shift my own personal difficulties. I like to think that people can hear this through my work and relate to it and feel heard. Music helped me and I hope my music can help others too. I’ve been listening to house since I came out of the womb. However, I couldn’t sing at all. I could dance, but I never knew I could translate this into actually making music myself. After buying my first DJ decks at the age of 18, I started mixing tracks that I hadn’t heard anyone mixing together before. I delved into DAW and downloaded some free softwares and I soon realised the beat and rhythm I had from dancing, could then be translated into mixing. This is where it all began.
Describe your creative process from starting to finishing a track.
It’s always different depending on the track. I don’t put pressure on myself to create because I trust it’ll come to me. For example, this Soundcamp track came to me at 4am. I couldn’t sleep and I kept hearing this specific noise in my head. So I tried to mimic this on my keyboard and then started building the track from there. It’s a really natural process, which keeps me up at night.
Who are your main inspiration/influences for your sound and aesthetic?
Fred Again is definitely a huge inspiration for the sound I am trying to achieve and wanting to take people on an emotional journey. He also taught me that there’s no rules in music and you can produce however feels right for you. I also like Dom Dolla and, of course, Peggy Gou. However, I’d also say Harry Styles is a huge inspiration for me. Not genre-wise, but he inspires me in knowing I can be whoever I want to be. He empowers me to be myself and be the unique person I am.
If you could collaborate with anyone on a track, who would it be and why?
I have two artists in mind. The first one I’d say is Cat Burns. Her music is so emotional and moving so it makes a good fit with the sort of stuff I create. But then also Aitch. He would bang on a house tune, we’re both from Manchester and it would be amazing to produce a song for him.
What are your biggest goals/plans for your music in the future?
I want to be at Parklife, and I want to be at the Warehouse Project. That’s where my music would be best suited and received. One day, I will be there.
Ishola
My name’s Ishola, my pronouns are he/him, and you can find me on Instagram and TikTok at @isho1a.
How would you describe your music to someone who’s never heard it before?
I would describe my music as a fusion of past and future hip-hop. I draw heavy inspiration from both the UK and the US scenes. My music is something you can vibe to as you’re walking through the city, but also blast out of your speakers on a late night drive down the motorway. I like to think my music can fit any kind of scenario or environment.
What prompted you to get involved in Soundcamp and what are you hoping to achieve from it?
I was looking for more opportunities to grow my network in the music industry after leaving university, where I studied music production. I’m an engineer and a producer, but this comes from me being an artist myself. When I found out about Soundcamp, I thought it would be the perfect chance to meet new creatives, meet like-minded people who I can grow with, and meet individuals who can guide me and keep me on the right path. I have confidence in my own abilities, but it’s also nice to gain the approval and validation of professionals in the industry. Working with the mentors has really helped me tackle imposter syndrome. It has also offered me useful insights, nuggets of knowledge, and has allowed me to absorb their experiences.
Where did your journey with music begin?
I’ve been doing music since I could walk. I vividly remember coming home from school one day and my parents saying I needed to learn an instrument. So I decided to take up the piano, and progressed through graded exams. As I got older, I felt restricted by classical training and I was exposed to more methods of expression through music. For example, I discovered music production and technology. My mind was blown and I fell back in love with music. I’m really grateful that learning the piano laid the foundations for me to grow musically and really explore it. The journey is only just beginning now.
Describe your creative process from starting to finishing a track.
This question is a bit too linear for me. There’s no start and no end in the creative energy. A song can start from me walking around town listening to bossa nova, subconsciously listening out for samples. It could also start on the bus, writing random lyrics. I feel like I’m constantly drawing inspiration from things around me to influence different areas of my creative practice. Then I can piece these little creations together. Some lyrics I wrote last week could fit a beat I made today; a song comes out of the universe. There’s no start and end; it’s the cycle of music.
Who are your main inspiration/influences for your sound and aesthetic?
One of my biggest inspirations is my father. He was an old school man and grew up through the golden ages of mankind from the 60s to the 80s. He was really into fashion and I was brought up around that so it naturally rubbed off on me. The music from those eras, like Marvin Gaye, Prince, and Luther Vandross, combined with the greats of the early 2000s impacted me. The music I create today takes from these times, as well as the new wave of hip-hop, like Lancey Foux and Skepta. On the other side of the ocean, we have A$AP Rocky, Lil Yachty, and more. There’s a plethora of people within Black music that I am constantly motivated by.
If you could collaborate with anyone on a track, who would it be and why?
In the UK, it would have to be Skepta. This is simply because of his notoriety, the work he has done, and the respect I have for him. What he represents as an individual – fearlessness, complete and utter confidence in his craft – is hugely inspiring to me. I’m also loving what Lil Yachty is doing. He is the perfect bridge between underground and mainstream hip-hop. It would be a blessing to be introduced to these two individuals’ audiences.
What are your biggest goals/plans for your music in the future?
Besides the obvious goal of touring internationally, I would love to get into scoring. It would be magical to compose music for fashion shows. Being respected as a composer as well as a hip-hop artist would be incredible. I have massive respect for Tyler, the Creator and the way he has made the crossover between being an artist, to being a reputable composer. It would be beautiful to move listeners’ emotions and manipulate individuals into feeling certain things with my music.
Grab your free ticket to see Known Konopka & Ishola alongside the rest of the Soundcamp cohort live at The Blues Kitchen on the 15th of May here.
